In the consumer product and consumer technology world, companies inevitably want to keep things 'fresh' and 'new'. There is a long history over why this is a good thing and how it helps sales. I am a firm believer that in the consumer space you always need to be willing to try and do fresh and new things, but you don't have to throw the baby out with the bathwater.
I experienced this on a personal level recently with the change to the Pepsi logo and packaging. There was a great hubbub about this in the blogosphere a while ago, so I won't rehash it, but Pepsi changed its logo and its coloring. I am a committed Diet Pepsi drinker, but the change to silver confused me and I have to think before making a purchase (Diet Pepsi would sometimes be white, but now white is Caffeine Free).
Giving consumers a chance to pause before making a purchasing decision is rarely a good thing.
To exacerbate the situation, Pepsi has introduced Diet Pepsi Vanilla. Same packaging, but a vertical 'Vanilla' in small red lettering.
Needless to say, I didn't see the small lettering and bought one accidentally recently. I took a sip, expecting regular Diet Pepsi, and was surprised and unhappy with the new flavor. My resolution - avoid the confusion and conscious analysis I would have to make and just buy Sprite (my 2nd favorite drink) in the store in the future. Since Sprite is a Coke product, I am not sure Pepsi will like it.
There are valid reasons for Pepsi making the choice it did, and they can afford to lose my business temporarily. But smaller, entrepreneurial consumer companies need to look at all aspects of change. What will this do to our base? Will it energize them or cause cogitative dissonance. Is the dissonance so great we don't want to move forward? This doesn't apply to just packaging, but to social media campaigns, changes in the Website and all other content creation. Companies invest heavily in building brands. Consumers make the brands their own and come to expect certain things.
Change is great. It's the only way innovation happens. But be sure to always allow time to plan out the different scenarios. It’s the only way to truly identify the best change and the right time for change.
Newsweek just completed a live interview of Treasury Secretary Tim Geithner on its Facebook page. In the PR world, we spend a lot of time thinking about the convergence of social and traditional media. This interview marks one of the boldest moves to date by traditional media to bridge these worlds.
This interview also exemplifies the continuing march of consumer technology into the news making process. We’ve all heard about the Twitter reports that were the first wave of “news” from the Mumbai bombings and “Miracle on the Hudson” flight. The iReports from CNN have given virtual media credentials to thousands of citizen journalists and their video phones. Companies post their own news in via YouTube videos and iTunes downloads.
What’s interesting to watch is the way these technologies have moved from the periphery to the epicenter of the news process. It began when new technologies started giving voice to viewers, listeners and readers. Soon a wave of simple consumer friendly applications began turning people into self publishers able to share the news and events that matter to them. Reporters and publications have increasingly adopted such tools to spread the reach of their coverage and to nurture contacts and find ideas for future stories. Newsweek is taking that next step in this process, co-opting a third-party consumer channel for its own news reporting.
Media companies are in innovation mode, trying to come up with new content and attract new audiences while managing costs and headcount. If Newsweek, with its readership of over 2.7 million, can find new readers to engage with via Facebook, then the floodgates will open and consumer technology will move one degree deeper into the inner sanctum of news making.
It was clear at Digital Hollywood’s “Content Rights and Technology Solutions” and “Monetizing Digital Content” sessions that the DRM debate has shifted from how to control usage to how to engage consumers and embed more value in legitimate content. The panel of tech vendors encouraged content providers to listen to consumer demands for universal access to purchased content. Anti-piracy remained a hot topic, but with the belief that satisfied consumers are less likely to stray and may in fact be willing to pay more for high quality, legitimate content.
Mark Isherwood, director and co-founder of Rightscom Ltd, explains how content access and protection is changing in the following clip.
While Digital Hollywood attendees were the usual thirty-something mix of suits, anecdotes of mobile addicted tweens and toddlers frequently invited laughter and nodding heads throughout numerous panel discussions. The promise of an insatiable appetite for new applications and content led tech vendors and marketers to describe the desires and habits of the newest generation of consumers.
Move over pacifiers, parents are using mobile devices to distract their children. Katharine Linke, director of multi-platform programming at Disney said the channel was surprised at the popularity of its pre-school programming after parents said that they wouldn’t let toddlers play with their $400 phones. Well, they are! Mickey Mouse ClubHouse was watched as much as Hannah Montana on mobile phones and one panelist confessed to using the SpongeBob Tickler for iPhone application to keep his infant happy in the car.
Mobile has been deemed “the 3rd screen”, but it’s the primary and most-loved screen of adolescents. One panelist said his fifteen year-old daughter sends and receives 1,600-2,000 texts a month. Also, unlike the average mobile viewer who watches 25 minutes a day according to FloTV, pre-teens are watching long form content, like movies, on their phones too.
While adolescents might not think twice about downloading a bootleg song or movie, they are also creating an entire new economy by embracing virtual goods. They see value in buying an icon, like an image of a birthday cake, and are happy to pay $1.99 for applications like putting a friends’ photo in a Jonas Brothers’ music video.
Next-gen consumers are less concerned with “owning” content as much as anytime/anywhere access across their many devices. New business models will focus on usage-based activity with clear implications for cloud computing, access control, usage analytics and targeted marketing opportunities.
Creating compelling content for smart consumers was top of mind as Digital Hollywood kicked off with packed sessions, prestigious speakers and conversations that often returned to how to best engage online consumer audiences who are spread out across many, many sites. Everyone agreed that the entertainment industry maxim "content is king" is critical to reaching today’s empowered consumers who pick and choose what they read and watch and for the most part bypass advertisements.
As the role of marketing and public relations increasingly becomes that of content creator, buzz builders can learn from the playbooks of Hollywood marketers. Monday’s session "Strategizing the Campaign; Selling Movies, TV and Video on the Web" revealed tips from top brass at Comcast /Fandango, Microsoft, Fox, Paramount who have kept box office ticket thriving this spring through their creativity, tenacity and innovation
Know your target audience so that you can personalize the online experience to their individual tastes. Survey your customers to determine their interests. You may find some surprising results that can become a part of your online brand experience.
Be experimental, but integrate too. Online allows marketers to try something new and get immediate feedback. Develop your digital marketing strategy in tandem with traditional marketing to create a single multi-faceted campaign.
Budget time and money for "clever" content. Don’t let content be an after thought. Consumers expect free, unique compelling content that intelligently starts a conversation that they can participate in.
Provide depth for online audiences to dig deeper into content, get involved and be "in the know." Make your biggest fans feel special with exclusive content (like WATCHMENS’ multiple trailers and WOLVERINE’s contest for the red carpet premiere) or prizes (swag, anyone?)
iPhone apps are hot - but then you knew that. Fandango had a WAP platform for years, but had little traction until it launched an iPhone app 6 weeks ago with basic functionality to buy tickets on-the-go. Half a million downloads later, consumers are now watching mobile trailers too.
Listen to consumers, and respond - Fast! The beauty of instant online feedback is also a responsibility. Consumer’s told Fandago they wanted to be able to log into their accounts on their iPhones rather than enter credit card info to buy tickets. Fandango listened and built in the functionality within 2 weeks.
Enlist Viral Armies - Every marketing campaign should include an "Alpha Fan Strategy" to engage a Digital Street Team to be your online ambassadors. First you need to get to know your #1 fanboys -- the 10-15% of your audience that wants more than to consume or share content. Give them the tools to create a mash-up, design a T-shirt, build an add-on widget to extend your brand experience.
Don’t Stop the Feed - Keep evaluating engagement measurements to determine what’s working, what’s not and what to do next. Most importantly, keep giving fans more of what they loved, but with innovations. You’ve got their attention - now you need to keep it by getting even more creative.
the popularity of its pre-school programming after parents said that they wouldn’t let toddlers play with their $400 phones. Well, they are! 
